aktywność religijna alternatywne formy edukacji
alternatywne style życia i bunt codzienności
awangarda, neo-awangarda
cenzura dysydenci partyjni
emigracja/wygnanie
film inwigilacja
krytyka naukowa kultura ludowa
kultura młodzieżowa
kultura popularna kultura undergroundowa
literatura i krytyka literacka muzyka nauka krytyczna
niezależne dziennikarstwo ochrona środowiska
ofiary prześladowań autorytarnego/totalitarnego reżimu
opozycja demokratyczna
publikacje podziemne
ruch kobiecy
ruchy broniące mniejszości
ruchy broniące praw człowieka
ruchy etniczne ruchy filozoficzne/ideowe ruchy narodowościowe
ruchy pokojowe ruchy społeczne
ruchy studenckie sztuka medialna
sztuki piękne
sztuki wizualne
teatr i Sztuki Performatywne
wolność sumienia
artefakty
dokumenty prawne i/lub finansowe elementy sztuki użytkowej
film
fotografie
grafika
inne inne obiekty artystyczne literatura podziemna
meble
nagrania dźwiękowe
nagrania muzyczne
nagrania video
obrazy
odzież pamiątki
publikacje
rysunki i karykatury
rzeźby rękopisy wyposażenie techniczne
The Lajos Vajda Studio was officially established in 1972 as a circle of visual artists interested in experimental practices. The origins of the cohesiveness of the group lie in the spirit of the place and the group’s attachment to Szentendre and its artistic traditions. At the end of the 1960s, a vital, informal counterculture-cell came into existence in Szentendre in part because of the activities of young artists who inspired one another. The archive documents the history and the activities of the studio and its members.
Lazar Stojanović (1944-2017), film director, journalist and intellectual, was one of the most famous cultural dissidents of socialist Yugoslavia. His film “Plastic Jesus” (1971) was declared as anti-communist and anti-state propaganda and led to Stojanović’s three year imprisonment. The collection represents Stojanović’s personal compilation gathered over the previous decades and consists of books, newspapers, posters, catalogues and video materials/films.
Liget Gallery is a small non-profit gallery operated by the Cultural House of the 14th district of Budapest. Since its founding in 1983, it has arranged approximately 450 exhibitions and events in the gallery and elsewhere. In the 1980s, it started to present solo shows of works by radical artists from the region and exhibit new tendencies within the local scene. The archive documents these activities.
The collection of the Szabédi Memorial House encompasses the literary heritage of various Hungarian Transylvanian writers and intellectuals after 1918. The end of World War I and the subsequent treaty of Trianon in 1920 put an end to the free development of the Transylvanian literary tradition, until then part of the wider national Hungarian literature. Under Romanian rule, the previously mainstream literary activities became suppressed, and the preservation of the literary heritages was considered a subversive activity.
Dr. László Végh was a well-known character in the underground circles in Hungary in the 1960s. A radiologist and composer with a nonconformist attitude, he organized informal meetings in his parent’s apartment and in other places, at which he presented experimental works of music, gave lectures, and arranged readings and debates. He recorded these events, and he archived them and presented them on other occasions. The archive mostly consists of musical recordings and scores, and it contains the recorded readings and debates, as well as letters, documents, manuscripts, memos, photographs, slides, and drawings.
