“Goli Goli Goli – The Truth about Goli otok” is a typewritten text about the days of captivity on Goli otok, but it is partially different from the original, and begins with a short biography of the author before his arrest, including specific events that preceded the arrest. Šore spoke about his arrest in Travnik in June 1949 and his transfer to the prison in Sarajevo. On September 1949, about 400 detainees were transported by train from Sarajevo to Herceg Novi, and then by truck to the former Austro-Hungarian fortress on Cape Oštro at the entrance to Boka Kotorska Bay. There, Šore's group joined detainees from Montenegro, and then all boarded a ship that took them to Goli otok. This was the first group of "Cominformists" who came to Goli otok. Before them, there was a smaller group of people on the island who welcomed them with clubs, curses and verbal abuse. Šore spent three years in this environment, in which he experienced the most brutal methods of political “re-education.” Immediately upon their arrival at the prison camp, all inmates had to publicly present facts about their "hostile work" against the communist regime and plead guilty. Also, all inmates had to go to the State Security Administration office to report all the “enemies” among inmates or among those who were still outside the prison camp. Political meetings were held regularly in the prison camp, where the criminal conduct of a particular inmate was discussed based on evidence obtained by mutual spying. Furthermore, ‘cultural-educational’ work was carried out every night, which consisted of reading Party literature, making posters, writing pamphlets, and even short comedy shows. In all forms of cultural and educational work, Josip Broz Tito and his policy in conflict with the Cominform Resolution was praised by the detainees (Interview with Peić Čaldarović, Dubravka).

The prison camp's administration punished inmates with brutal methods that consisted of heavy physical labour, inciting violence among inmates, psychological abuse, and deprivation of food and water. According to Šore's memories, the main penal measures in the camp were: boycotts (severing of any communication with an inmate, overtime labour and reduction of food and water rations), carrying "Anita" (exhaustion by carrying a heavy load), tracer (exhaustion caused by carrying heavy loads with another inmate), the swan (exhaustion by carrying a heavy load together with six other detainees) and the chamber-pot ‘honour’  (guarding the wooden lavatory in the barracks many times per day or for many days). The physical exhaustion of inmates was done to psychologically transform them, or erase their personalities, to create persons loyal to the Party led by Tito. Inmates who underwent been internal punishment or refused to submit to political "re-education" ended up in Building 101. Its purpose was to break disobedient detainees with more difficult conditions of daily labour and more extreme torture methods (Interview with Peić Čaldarović, Dubravka).

Šore described each of these situations and methods of political "re-education" precisely from his own experience or based on the example of one of his fellow inmates. He illustrated some of the most difficult aspects of everyday life with his own drawings under the heading: Tracer/Carrying Heavy Rocks, Water and Food/Boycott by the Wall, Chamber-pot Honour /Swan (Interview with Dubravka Peić Čaldarović).

The Grgo Šore Goli Otok Collection is part of a broader collection consisting of documents from personal and family bequests and is kept in the Croatian History Museum. The collection includes documentation about Goli otok (a small rocky island in the Adriatic Sea), official correspondence, newspapers and photographs. In his manuscripts, Grgo Šore described in detail all of the horrors he experienced on Goli otok during his captivity as a falsely accused “Cominformist.” Particularly noteworthy are the drawings depicting the brutal treatment of inmates by the prison guards.

The Woman and Society Feminist Collection at the Centre for Women's Studies in Zagreb consists of one register containing the manuscripts from the lecture cycle which was organized by the "Woman and Society" Section in 1982/83. The lectures dealt with the “woman question” in the historical context, as well as the “woman question” issues in socialist self-management and Marxist theory. The Collection testifies to the engagement of a smaller number of intellectuals who sought to put the “woman question” into public focus, thus affecting the improvement of the status of women in Yugoslavia, while the authorities argued that it was unnecessary because they thought that the ˝woman question˝ was resolved within Marxism.

The folder with “The campers” as its cover name is kept in the Historical Archives of the Hungarian State Security forces (Állambiztonsági Szolgálatok Történeti Levéltára – ÁBTL). It includes reports on and photographs of the religious group named Christian Community. The camping trips taken by members of the group in 1983 and in 1984 were the focus of the state efforts to keep the group under observation. The photo collection is the result of secrtet observation work and the method of taking photos from a hiding place. Moreover, this is a vestige of the information-collecting practices of the political police which seems, now, a little grotesque. The documentation of the meeting, which was labeled illegal, was followed by intervention by the police.

Bár a szerkesztőség még több számra való anyagot készített közlésre elő, a ’régi’ Mozgó Világ utolsó – kinyomtatása után betiltott, bezúzott – lapszáma az 1983 decemberi volt.

Valójában búcsúzó gesztus s egyben mementó volt ez, melyet a szerkesztők szinte teljes egészében Bibó István kiadatlan kéziratos tanulmányának s a róla rendezett történész vitának szenteltek.

A szám elején Illyés Gyula és Egyed Péter versei állnak, mintegy mottóként. (Az 1983 áprilisában elhunyt Illyés volt egyik versével a Mozgó Világ címadója – így kettős tisztelgés volt emléke előtt, hogy a búcsúszám élén két versét közölték.)

Ezután Bibó István nagyívű tanulmánya: Az európai társadalom fejlődése teszi ki a lapszám túlnyomó részét. Az erősen antimarxista eszmetörténeti művet Bibó 1971-72-ben mondta hangszalagra, majd leírt szöveget halála után fia, ifj. Bibó István javította és rendezte sajtó alá.

At the beginning of the 1980s, citizens in Slovenia became more aware of the need for their involvement in decision-making processes and that brought about the first initiatives to protect human rights. One of those initiatives was a petition for the abolition of the death penalty in Yugoslavia. A group of activists, including Alenka Puhar, collected signatures for the abolition of the death penalty and sent them to several institutions on November 23, 1983: to the Assembly of the Socialist Federal Republic of Yugoslavia (SFRY/SFRJ), the League of Communists of Slovenia (LCS/SKS), the League of Communist Youth of Slovenia (LCYS/SKOS) and others. The petition was discussed in public and among the political leadership, and it was published in Ljubljana’s magazine Mladina on December 1, 1983. However, the petition did not produce any results at the time. The death penalty in Slovenia was abolished only in 1989 at the time of the Slovenian Spring.

Alenka Puhar's collection contains the original petition with signatures that were collected in that campaign. Puhar testifies that over 1,500 signatures were collected. She wrote about her experience working on this petition in the book Peticije, pisma in tihotapski časi (Petitions, Letters and a Time of Smuggling) which she published two years later. (Puhar 1985: 152)

The twelfth issue of the “Sci-fi magazine” was published in Teplice in 1983 and was the last to be published by the sci-fi club in Teplice. In this issue, a religious story was published that caused the founder to prohibit further publishing of the magazine, which in the short term led to the club being closed. It was probably due to the story of Eva Novakova, which she called "How It Was with the Whale" and refers to the Old Testament story of Jonah and the Whale. This event did not slow the activity of others, rather the fanzines grew throughout the country.

During the search of 18 May 1983, among the objects confiscated from the collection of Dan Petrescu and Thérèse Culianu-Petrescu were forty-five typed leaves of a manuscript representing an unusual literary project: the collective novel “Furrows Across the Baulks” revisited. The manuscript had four authors. In addition to Dan Petrescu, these were Luca Piţu, George Pruteanu, and Sorin Antohi. “Furrows Across the Baulks” revisited was a rewriting, in a satirical register, of a quite well-known proletkultist novel by the Hungarian writer István Horváth, translated into Romanian in 1953. The original title Furrows Across the Baulks had inspired the rereading of the collectivisation process in an ironic key by the four young intellectuals. The manuscript existed in a single copy, which passed from hand to hand with each of the four adding a chapter, so at the time of the search all material trace of the existence of this collective literary enterprise was lost. Regarding its confiscation, Dan Petrescu recalls: “At the same time they asked me about the novel [‘Furrows Across the Baulks’ revisited]. I said to them: ‘Why are you still looking for it? Because you’ve already got it.’ They had taken it from George Pruteanu. […] It didn’t exist in more than one manuscript. There were no copies. It passed from one to the next and each one added to it. They were also looking for letters in the search.” The Securitate had found out about the existence of this satirical novel at the end of 1982, when at the Young Writer colloquium in Buzău, Sorin Antohi read pages from the collective manuscript, imitating Ceaușescu’s voice when excerpts from Gheorghiu-Dej’s speeches were cited. According to the Securitate’s evaluation, in this novel “the policy of the Party regarding co-operativisation is ridiculed, […] with suggestive allusions to the higher leadership of the Party and of the state.” The public reading of the manuscript at this colloquium effectively meant its dissemination at national level, and what might just about have been tolerated at local level became dangerous when it came to have an influence on others.

The Budapest-Vienna-Berlin telephone concert, which was held on April 15, 1983, was an extraordinary telecommunication event which took place simultaneously in Vienna (studio of the Österreichische Kultur-Service), Berlin (Auf und Abbau Gallery), and Budapest (Artpool Studio). Artpool got in contact with the organizer of the event, media artist Robert Adrian X, through János Vető. The Artpool Letter published a report on the event (AL 4, 1983).

There are three wraps in the collection. These wraps were used by Paulis Kļaviņš and other activists in Hilfsaktion Märtyer-Kirche (HMK) and the 'Action of Light' in street actions in West Germany and France in 1983. Two are made from brown-coloured fabric, the third is made from black-coloured fabric. On the wraps are printed portraits of Soviet political prisoners: Dmitry Minyakov, Vytautas Skuodis and Lidija Doroņina-Lasmane, and inscriptions such as: 'Die Verfolgten in der Sowjetunion berätingen unsere Solidarität'. These wraps are used by the museum in a multimedia exhibition.

The New Class, a book by the Yugoslav Communist dissident Milovan Đilas, is one of the most important political documents of its time, and according to the London Times Literary Supplement poll, one of the 100 most influential books of the latter half of the 20^th century. Historian Mira Bogdanović believes that one of the reasons for its great influence is the assistance Djilas received from the CIA in writing, translating and distributing the book, all in the context of Cold War politics (Bogdanović, 2013).

The book was first printed in English in the United States in 1957, and it was translated into dozens of languages. It is a study in which Đilas analysed the socialist order and ideology, and systematically demystified the socialist system in Yugoslavia. The greatest significance of the book, the demystification of socialism, is due precisely to the fact that it was written by the former fourth man of socialist Yugoslavia and one of its key ideologues. The book was legally printed in Yugoslavia for the first time in the Serbian language in Belgrade in 1990.

In the context of the culture of dissent, the book provided insight into the nature and practices of the socialist society in Yugoslavia, thus influencing Croatian intellectuals in Chicago, their attitude toward Yugoslavia and their advocacy for an independent Croatia. 

Szőnyei found this poster while wandering in Budapest in 1983. He was immediately captured by the originality of the work displaying members of the band Kontroll Csoport as if they were wanted by the police. Below their photos, a few “distinct characteristics” are listed. This was obviously a sarcastic, provocative message for the political power. At the time Szőnyei was not aware that this part of the poster was originally covered by another orange layer stating "Strictly Confidential!" that further added to the play on meaning.

Holenderski twórca filmów dokumentalnych trafia na podziemie punkowe w komunistycznej Polsce. Obserwuje grupę nastolatków, która niedawno założyła zespół z pogranicza punku i reagge. Ten zespół to Izrael, który trwale zapisze się w historii polskiej muzyki alternatywnej. Wśród młodych muzyków są Robert Brylewski i Paweł „Kelner” Rozwadowski. Kamera śledzi ich włóczących się po Warszawie zaraz po zakończeniu stanu wojennego. Trafiają na Bazar Różyckiego na warszawskiej Pradze, na Cmentarz Żydowski, do Pałacu Kultury. Osią filmu jest wywiad nagrany w ciemnej salce prób, pełen anarchistycznych haseł i absurdalnego humoru. Młodzi muzycy opowiadają łamaną angielszczyzną o życiu i robieniu muzyki w komunistycznej Polsce. Przez film przewijają się też urywki jednego z pierwszych koncertów grupy Izrael.Film trafił do Filmoteki dzięki poszukiwaniom do wystawy o polskim punku pt. „Precz z alfonsami sztuki”, która, prowokacyjnie, została zorganizowana w budynku warszawskiej giełdy.

This brochure is one of the few publications printed in exile which dealt with cases of national opposition in the Moldavian Soviet Socialist Republic (MSSR). It illustrates Mihnea Berindei’s interest in the oppositional movement developing in Soviet Moldavia and seems to indicate that Berindei had some connections with the editor of this booklet, Nicolae Lupan. Lupan was one of the most well-known oppositional figures in the MSSR. After his deportation from the USSR for “Romanian nationalist activity” in 1974, Lupan settled in the West (first in Belgium, then in France) and was active in placing the case of his native MSSR on the map of anti-Soviet dissent and anti-regime opposition. The booklet purportedly reproduced a letter that Lupan had received in August 1982 from a mysterious group called “The Young Bessarabians,” but it might have been written by Lupan himself. In any case, no such organisation is known to have existed in the MSSR at that time. The brochure focused on the arrest and trial of the Usatiuc–Ghimpu–Graur group (National Patriotic Front), the most important oppositional movement which emerged in the MSSR after World War II. In the preface to the letter, Lupan emphasised his personal connection to the Usatiuc and Ghimpu families and to the entire organisation, also referring to another emblematic case of national opposition “from below” which had occurred in September 1970, when two young women, Asea Andruh and Lilia Neagu, wrote over forty “anti-Soviet” slogans on a number of public buildings in central Chișinău. Lupan further stated: “One pays dearly for national resistance in Chișinău. Just as for the word “freedom.” The freedom to express oneself, the freedom to write, the freedom to be silent… Yes, even the freedom to be silent! For, if someone never wishes to speak at the propaganda meetings, this person is viewed as suspect and treated as an untrustworthy element.” Lupan claimed that the original of the letter was written in Romanian, while he only published a French translation of the original, “strictly abiding by” the text’s content. The letter provided a detailed description of Usatiuc, Ghimpu, and Graur’s trial and the reaction of the public to their condemnation. The description of the events was fairly accurate, with the unknown author emphasising the “rabid anti-Romanian propaganda” which had been pervasive in Soviet Moldavia “for a number of years already.” Interestingly, this letter also mentions Petru Lucinschi, the future Moldavian party leader and post-Soviet president of the Republic of Moldova, as a “typical example of the traitor that the colonisers call ‘a national cadre.’ He Russified his name, he married a Russian woman and he has devoted himself, body and soul, to serving the interests of Soviet imperialism.” The author then inveighed against Russian domination in Moldavia, focusing on the lack of national rights and the various forms of persecution and injustice suffered by the local population under Soviet rule. After narrating in some detail the individual fate of the National Patriotic Front’s leaders as of 1982, the brochure also referred in passing to other cases of repression against “Bessarabian patriots” that had occurred since the 1960s (including Gheorghe Muruziuc, Mihai Moroșanu, the Andruh–Neagu affair etc.). The strong-worded conclusion stated: “the Russian authorities pursue their plan to annihilate the Romanians of Bessarabia, a fact that can be qualified as genocide without bloodshed.” The natural solution to the Moldavians’ plight was, not surprisingly, “reunion with the Mother-Country – Romania.” This text, coupled with several other works by Nicolae Lupan to be found in Mihnea Berindei’s library (e.g., Bessarabie, terre roumaine, published in Brussels in 1982) proved that Berindei displayed a constant interest in the Moldavian case, possibly also helping the few exiles from the MSSR who had settled in the West to present their views to a wider audience.