Film "Plastic Jesus"
The film was Stojanović’s graduate final project at the Academy for Theatre, Film, Radio and Television with the state-owned „Centar FRZ” producing the work. While being prepared for cinema and festival screenings, it received the attention of censors in 1972. As a consequence, the movie was banned before any public screening and led to Stojanović being brought to trial. The film remained banned until the end of 1990 in Yugoslavia, when it was eventually screened in Belgrade for the first time for a total of four months. In 1991, “Plastic Jesus” received the FIPRESCI award at the Montreal film festival. At present, in ex-Yugoslav societies the work is not well known although Stojanović is not alarmed by this, rather seeing the importance of the movie as much greater outside of ex-Yugoslavia. He screened the film several times at foreign, primarily American universities (Columbia and Stanford), where he also has held lectures. The movie was screened in the MoMA for seven days in 2016. For this occassion, the Yugoslav Film Archive produced a remasterd version.
Jugoslovenska Kinoteka, Beograd Uzun Mirkova, Serbia
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Wyróżniony obiekty z
Ćirić, Sonja, 2016. “Intervju – Lazar Stojanović, Reditelj: NATO Nema Alternativu." Nedeljnik Vreme, February 11. [Interview - Lazar Stojanovic, director: "NATO does not have an alternative." Weekly TIME] Accessed November 29, 2016.
DeCuir, Greg; Baškot, Gordana; Antin, Tatjana. 2011a. Jugoslovenski crni talas: Polemički film od 1963 do 1972 u Socijalističkoj Federativnoj Republici Jugoslaviji. Beograd: Filmski Centar Srbije.
DeCuir, Greg et al. 2011b. Yugoslav black wave: Polemical Cinema from 1963-1973 in the Socialist Federal Republic of Yugoslavia. Belgrade: Film Center Serbia.
Goulding, Daniel J. 2002. Liberated Cinema: The Yugoslav Experience, 1945-2001. Bloomington&Indianapolis: Indiana University Press.
Levi, Pavle. 2009. Raspad Jugoslavije na filmu: Estetika i ideologija u jugoslovenskom i postjugoslovenskom filmu [Esthetics and Ideology in Yugoslav and postyugoslav film]. Beograd: Biblioteka XX vek.
Marković, Predrag. 2011. “Where Have All the Flowers Gone? Yugoslav Culture in the 1970s Between Liberalization/Westernization and Dogmatisation.” In The Crisis of Socialist Modernity. The Soviet Union and Yugoslavia in the 1970s, edited by Marie-Janine Calic, Dietmar Neutatz and Julia Obertreis, 118–133. Göttingen: Vandenhoeck & Ruprecht.
Pantić, A, 2015. "Lazar Stojanović: Svako Sam Odlučuje Kad će Da Bude Hrabar" 24sata, June 13. ["Lazar Stojanovic: Everybody decides on his own when to be courageous" 24hours]. Accessed November 29, 2016.
Solomun, Zoran. 2012. “Plastic Jesus. Tito und die jugoslawischen Achtungsechziger.” Deutschlandfunk, February 7. [Plastic Jesus. Tito and the Yugoslav 68ers]. Accessed February 2, 2017.
Vučetić, Radina. 2016. Monopol na istinu. [The monopoly on Truth] Beograd: Clio.