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Croatian and American historian Jere (Jerome) Jareb was born in Prvić Šepurina (Croatia) on May 3, 1922, and died in Charlottesville (Virginia, USA) on November 22, 2017. After completing the classics gymnasium in Šibenik, he left the town because Fascist Italy occupied it in September 1941. He moved to Zagreb where he studied at the Faculty of Law. Due to his poor health, he was not recruited into the army of the Independent State of Croatia (NDH). He became a member of the editorial board of the magazine Ustaška mladež (Ustasha Youth), where he wrote historical articles until the end of World War II. In the fall of 1944, he was severely stricken by a bout of tuberculosis in the bone of his right leg, and in July 1947 his leg was amputated. At the beginning of May 1945, instead of the planned hospitalisation, he ended up at the refugee camp in the suburbs of Klagenfurt. He stayed in the camp for three months, after which he was sent to the hospital where he remained until May 1949. In December 1951, he moved to Salzburg to seek an immigration visa to the United States.

In January 1952, he flew to New York, where his father, a pre-war economic emigrant, lived. Jere lived in New York until 1966. He was one of the founders of the Croatian Academy in America, established in 1953, and served as its executive secretary for the first four years, and then later became its president. Along with Karlo Mirth, he was the editor of the Academy's Journal of Croatian Studies, which was founded in 1960. From 1953 to 1995, he was a trustee of the journal Hrvatska revija (Croatian Review). From 1953, he studied history at Columbia University, where he earned his MA in 1958. He concluded his graduate studies, with an emphasis on East-Central European and Western Europe contemporary history, in 1964 by defending a doctoral dissertation entitled "The Adriatic Question from June 1919 to February 1924." During his stay in New York, he constantly acquired books from the homeland that he needed to study Croatian history. Olga Živković, then employed at the Lexicographic Institute, sent him books regularly. When Olga travelled to the United States in 1959, Jere Jareb married her (Matković 2008: 722). From 1963 to 1966, he lectured at Rutgers University (New Jersey), and in 1966 he moved to St. Francis University in Loretto (Pennsylvania), where he lectured on European and world history until his retirement in 1992. From 1968 until his retirement, he was chairman of the University’s History Department.

His best known book, Pola stoljeća hrvatske politike (One-Half Century of Croatian Politics), was initially a critical review of Vladko Maček's memoirs, which were serialized in Hrvatska revija (1959). In 1960, he expanded the text and published it as a book in Buenos Aires in 1960. It was a political history of Croatia from 1895 to 1945, with an emphasis on the history of the Ustasha Movement and the NDH. In that book, he presented a different view of the history of 20^th-century Croatian politics than the one that  had prevailed in Croatia and other parts of Yugoslavia. After publishing this book, he became close to the Croatian political emigration. He contacted and interviewed numerous Croatian emigrants, from Vladko Maček, through Juraj Krnjević, Lovro Sušić, to Eugen ‘Dido’ Kvaternik. He also had contacts with historians and other intellectuals from the homeland such as Ljubo Boban, Bogdan Krizman, and Zvonimir Kulundžić. Historians in the country saw his books as valuable and professional works, although they were banned in Yugoslavia. He is also the author of the books Političke uspomene i rad dra Branimira Jelića (Political Memories and Work of Dr Branimir Jelić) published in Cleveland in 1982; Zlato i novac Nezavisne Države Hrvatske izneseni u inozemstvo 1944. i 1945.: dokumentarni prikaz (Gold and money of the Independent State of Croatia taken abroad in 1944 and 1945: Documents) (Zagreb, 1997), and Državno gospodarstveno povjerenstvo Nezavisne Države Hrvatske od kolovoza 1941. do travnja 1945.: dokumentarni prikaz (State Economic Commission of the Independent State of Croatia from August 1941 to April 1945: Documents) (Zagreb, 2001). At the late stage of his career, he was also a corresponding associate of the Croatian Institute of History.

During his academic career, he gathered his collection of books and other publications, which he donated to the Croatian Institute of History in 1997. He has been active in preserving the cultural and historical heritage of Croatian emigrants, so had donated the émigré periodicals to the National and University Library in Zagreb, and the documentation (grey literature) of Croatian emigrants to the Croatian State Archives in Zagreb.

Although he was an anti-communist, he did not join any political organisations nor did he engage in political activism. Jareb acted only on a cultural and academic basis, trying to preserve the legacy of Croatian emigrant communities and explore those spheres and themes in Croatian history such as the history of the NDH which could not be studied freely the communist regime, for only an ideological approach was allowed.

Rimantas Jasas (1929-2002) was a Lithuanian historian. He was born in Šiauliai, where he lived until 1936 when his family moved to Utena. At the end of the Second World War, his father emigrated to the USA, and his mother was sent to Siberia in 1948. Rimantas Jasas concealed these facts when he became a member of the Komsomol. He even started to work as a laboratory assistant in the Department of Marxism-Leninism at Vilnius Pedagogical Institute, although he was soon accused of withholding information and sacked. In 1952, Jasas started studying history at Vilnius University. He graduated from the university in 1957, and started working at the Lithuanian Institute of History. In 1968, he moved to the Library of the Lithuanian Academy of Sciences, where he worked till the end of his life.

While Jasas did not undertake formal doctoral studies (he deliberately refused), he was considered a leading specialist in the history of the Grand Duchy of Lithuania, knowing the archival sources very well. He prepared and translated the Bychovets Chronicle (published in 1971). Even today, this publication is a standard example of a perfect work on historical sources. Nevertheless, while working at the library, Jasas was overloaded with technical work that impeded his research work. The reason for this negative situation was the lack of political trust in him by the regime.

Josef Jelínek was born on 8 October 1927 in Ústí nad Labem, where he spent part of his childhood and joined the Scouts. After the north Czechoslovak borderland was occupied by Germany in 1938, his family moved to Prague, where Jelínek, then 15 years old, joined the anti-German resistance. For his activities during the war, he was awarded the Medal for Bravery by Edvard Beneš in 1946. After the war, he returned to Ústí nad Labem where he graduated from grammar school in 1947 and continued his education in Prague at the University of Chemistry and Technology. After February 1948, he joined the anti-communist resistance; he printed and distributed leaflets. He was imprisoned in July 1948 and sentenced to six years in prison for subversive activities by a court in Litoměřice in September the same year. He served his sentence in the Jáchymov mines. After his release in autumn 1953, he often changed his occupation. His last job in Czechoslovakia was at a glassworks. He emigrated to West Germany, together with his family, in October 1968; he worked as a technician in Siemens in Erlangen. He was very active in the Czechoslovak exile movement. In 1980, he met the historian Vilém Prečan and started working with him on copying samizdat literature for libraries in the West, as well as helping him to prepare parcels of books for his homeland, sent via smuggling channels, whose capacity was limited. Therefore, Jelínek started printing smaller “smuggling” versions, with dimensions of 9cm x 7cm. These were easier to smuggle across the boarders even in bigger numbers. The smaller print was hard to read – Jelínek solved this problem by adding a magnifying glass to the book spine. The books were called “kolibříky” (hummingbirds). In 1986, he was a founding member of the Czechoslovak Documentation Centre of Independent Literature, which was founded in West Germany and led by Vilém Prečan. He was awarded the Medal of Merit by Václav Havel in 1998. He died on 21 April 2015 in Erlangen.

Milan Jelínek was born 22. 6. 1923 in Brno. After his graduation in 1942, he was forced to work in Austria, where he worked as a clerk. During this time he participated in an anti-Nazi resistance group Lípa. Because of this, he was arrested and imprisoned from the beginning of 1944 until the end of the war. In 1945, he began to study Czech, Russian and Serbo-Croatian at Brno´s University, but due to financial problems he finished his studies externally. In 1948 he became a teacher for a year at the grammar school in Holešov.

The next year he became an assistant professor at the Faculty of Arts in Brno for a while, where he returned again from 1958 to 1971. For the third time, this institution became Jelínek´s employer in the period 1990 to 1992. Jelínek also worked at the Czechoslovak Academy of Science from 1953 to 1958 and 1971 to 1983. In the academic year of 1961 to 1962, he had a fellowship at the University of Greifswald and four years later at Sorbonne. The second academic destination became a good "explanation" when French scientists visited his underground university at his flat in the 1980s. Milan Jelínek also worked in university administrative positions: from 1962 to 1964 as the Dean of the Faculty of Arts, from 1990 to 1992 as the Rector of Masaryk University.

Jelinek was an enthusiastic Communist at the beginning of the 1950s and remained a strong left-wing ideologist until the end of his life. He was expelled from the Communist Party in 1970 because of his engagement in the Prague Spring. It was then that Jelinek was forced to leave the university in 1971 and work at the Academy of Sciences, where he could only pursue the popularization of Czech language and not scientific and pedagogical work. Jelinek published his articles unofficially under the names of other authors or in samizdat. The most significant activity of Jelinek within the framework of the cultural opposition lies in publishing samizdats and his organization of the underground university of the French branch of the Jan Hus Educational Foundation. The samizdat workshop of Jelínek's family (his wife Jana was actively involved) published about 120 book titles and 110 issues of magazines. The underground university in Jelínek's flat took place from 1986 to 1989, during which time there were 32 French thinkers.    

Milan Jelínek holds many awards, among them the Commandeur dans l 'Ordre des Palmes académique in 1993, the Medal of Masaryk University and the University of Silesia in Opava.

Ivan Martin Jirous, also known under the pseudonym of “Magor“ (“madman”, “fool” – though in a positive sense), was a Czech poet, art historian, and leader and theoretician of the Czech underground. He signed Charter 77 and was the manager of the art music band “The Plastic People of the Universe”. In the seventies and eighties he was in prison five times (a total of eight years and six months) as a result of his cultural activities and attitude towards the system.

In 1963, Jirous began studying art history at the Faculty of Arts in Prague, and graduated in 1968 with a defence of his master thesis about the poet and artist Jiří Kolář. At the end of the sixties, he officially published art-theory texts, while from the beginning of the seventies he worked either as a labourer or was unemployed. At the end of the sixties, he collaborated with the Czech rock-music band “The Primitives Group”, which played psychedelic music. From 1969 he was the art leader of the underground music band “The Plastic People of the Universe” (PPU). One of Jirous’s most important essays was an introduction to the Czech underground “Notes on the Third Czech Musical Revival”. Jirous defined its fundamental values and artistic basis in a programme statement of the underground, where he emphasized authenticity in life and in creativity within the context of communist power. “Notes” was published in 1975 as a samizdat volume (entitled “Notes from the Czech Musical Underground”) and after that in the exile magazine “Testimony” (Svědectví, Paris 1976).

Jirous organized numerous concerts, public lectures and cultural events, for example, “Festivals of the second culture” (1974 in Postupice, 1976 in Bojanovice – connected with his wedding with Juliana Jirousová). The concert in Bojanovice, where The Plastic People of the Universe and others underground bands performed, was held in the hall of a village restaurant and became a pretext for repressive action taken by the police against sympathizers of the underground community – nineteen people were taken into custody and were charged with disturbing the peace. Most of them were members of the music groups PPU and DG 307. This case became a cause célèbre after the friends of the detainees termed the trial as political in a message to Amnesty International, and it was then brought to the attention of the Western media.

Many people from Czech cultural and intellectual life supported the accused (for example, Václav Havel, the philosophers Jan Patočka and Karel Kosík, and the writer and Nobel Prize winner Jaroslav Seifert). These people were later connected with the origins of Charter 77. On the other hand, the official propaganda campaign described the defendants as drug addicts and social parasites. It led to two trials with seven people convicted. In the second trial (the ‘Prague’ trial), Jirous was sentenced to 18 months in prison, and the musicians Pavel Zajíček, Svatopluk Karásek for one year and Vratislav Brabenec for eight months. One immediate consequence of the trial of Jirous and the others members of the underground was the establishment of the opposition initiative “Charter 77”; in connection with the international commitment of Czechoslovakia to respect human rights, which was declared at the Conference on Security and Co-operation in Europe in 1975 in Helsinki. Jirous signed Charter 77 after his release from prison in 1978 (his ex-wife, the poet and art historian Věra Jirousová, and his wife, the painter Juliana Jirousová, also signed the charter).

Most of Jirous’s sentences were classified as disturbing the peace (§ 202). In fact, it is possible to speak about the politically motivated trials connected with his political convictions and his cultural activities. He was imprisoned for: singing an anti-communist song (“Send the Russian killers to hell where they belong”) and arguing with a retired Security Service Major (StB; 1973–74); for activities linked with the band “The Plastic People of the Universe (1976–77); for offending a communist functionary (1978; he made a speech at a Jiří Lacina exhibition about the insurmountable differences between official and unofficial culture); due to his role in producing, publishing and distributing the samizdat magazine “Vokno” (1981–85); for the activities around the petition “Tak dost”, which was connected to the last victim of the communist regime, the political prisoner Pavel Wonka. After his release from prison in 1985, Jirous was on parole and had to report daily to the Public Security Office at a specified time.

His prison experience is reflected in the collection of poems “Magor’s Swan Songs”. The collection was created during his terms of imprisonment from 1981 to 1985 and was originally published as a samizdat volume. The collection won the Tom Stoppard Prize in 1985. Jirous’s poems from this collection have appeared in many translated anthologies (English, German, French, Polish, Russian). In 2006, Jirous was awarded the Jaroslav Seifert Prize for this collection and his overall literary achievement. He published ten collections of poems as samizdat volumes. Jirous’s poetry work came out in 1989 in a collected volume “Magor’s summa” (Magorova summa). His work “The True Story of the Plastic People” was serialized in 1983, 1984 and 1987 in the Viennese magazine “Paternoster”, together with “Notes on the Third Czech Musical Revival”; and after that, for example, in the book “Magorův zápisník” (1997).

In the seventies and eighties he contributed to articles, critiques and polemics to many samizdat magazines, for example “Vokno” (Jirous helped found the magazine in 1979), also “Revolver Revue”, “Infoch – Information about Charter 77”, “Dialogy” and others. Jirous organized several samizdat anthologies of poems (for example “The Invalid Siblings for Egon Bondy on his 45th Birthday”, 1975). After 1989, he continued to write articles on art and other subjects, as well as poetry collections up until his death in 2011. He is now seen as a legendary figure who was crucial to the Czechoslovak underground.

Františka Jirousová was born in March 1980 and is the oldest daughter of the painter Juliana Jirousová, née Stritzková, and the poet Ivan Martin Jirous. She spent part of her childhood alone with her mother and younger sister Marta because her father was active in the underground movement and was imprisoned for his activities. Several letters by Marta and Františka appeared in the publication Ahoj můj miláčku, addressed to their father in prison. 

Františka received a degree from the Police Academy (2001) and later graduated in philosophy at Charles University’s Faculty of Arts. In 2017 she finished her doctoral studies in the same subject. Her dissertation work was called Evolution as a way to God in Teilhard de Chardin’s work.

Františka Jirousová worked as an archivist at the Libri Prohibiti library and as a proofreader, and is now employed as a book editor. As a philosopher she deals with Christian philosophy, specializing in the work of Pierre Teilhard de Chardin. When she was younger she painted, but later she swapped her brush for a pen and wrote two novels.

Františka Jirousová, together with Jana Bauerová, founded the literary group Catholic Decadence in 2004, and in 2018 they published their diary memories of Ivan Martin Jirous entitled Maga. As heir to Magor’s farm (Magor was the nickname of I. M. Jirous), Františka Jirousová runs and maintains this farm, which is open to students and artists for free. Jirousová lives alternately in Prague and Prostřední Vydří.

Juliana Jirousová was born in September 1943 in Stará Říše. Her father was the painter Otto Stritzko and her mother, Marie Florianová, was also a painter. Juliana’s grandfather, Josef Florian, was an important publisher and translator, who also lived in Stará Říše.

As a result of her so-called “cadre profile”, Juliana Jirousová was not allowed to study at university. Since she did not want to pursue a career in art as her family had done, and could not study, she sold furniture in Prague for a year. However, she soon started painting, influenced by Byzantine enamels. From 1964, she was employed as an art therapist at a psychiatric hospital in Havlíčkův Brod. She worked for a while in the most well-known psychiatric hospital in Czechoslovakia – Bohnice in Prague. However, she returned to Stará Říše due to the links between the medical staff and the secret police (StB). At home she continued to paint.

In 1972 she met Ivan Martin Jirous and began attending events connected with the underground and concerts by the band The Plastic People of the Universe, whose manager was Jirous. Juliana became integrated into the so-called second culture. Four years later, Jirous and Juliana got married and Jirous used his wedding as a pretext to hold the second Festival of the Second culture in Bojanovice. In response to the festival, Jirous was arrested and convicted in the “trial of the Plastic People“. After his release from prison in 1977, Jirous and Jirousová signed Charter 77. Besides writing poems, organizing “second culture” and managing the underground band The Plastic People, Jirous alias “Magor”, was also involved in creating samizdat volumes. His wife helped and supported him in these activities. During their marriage Jirous was imprisoned four times.

While they were separated, the married couple wrote letters to each other. Extracts from these letters were published in samizdat volumes (for example, in the magazine Koruna), and after the Velvet Revolution part of this correspondence was published in 2015 (Ahoj můj miláčku). Despite the prison censorship, these letters shed some interesting light on the life of prisoners. They help literary scholars in their studies of poems by Jirous, and they provide colour to the events of the seventies and eighties. The publishing house Torst owns some of these letters, and some of them were donated by Juliana and her daughter Františka to the Libri Prohibiti library. Juliana still lives in Stará Říše, where she focuses on painting with Christian motifs.

Ignas Jonynas was a Lithuanian historian. His works and studies (especially his seminal work ‘Vytautas’ Household’, written in 1932) laid the foundations for modern Lithuanian national historiography. During the interwar period, he was not only a professional historian and professor at Kaunas State University, but also a diplomat (from 1920 to 1922, he represented the Republic of Lithuania at the League of Nations. Later he worked at the Ministry of Foreign Affairs for a couple of years).  Like several other Lithuanian intellectuals, writers and scholars, Jonynas appears to have sympathised with Soviet Russia. This is probably because he studied at Moscow University and liked Russian culture. He decided to stay in Lithuania after 1944. (His two sons left Lithuania.) 

He became a professor at Kaunas and Vilnius universities (from 1946, only at Vilnius University). His lectures were very popular with students, especially historians. His ideas on history were based on principles of historicism and positivism. Jonynas taught some famous Lithuanian historians: such as Vytautas Merkys and Mečislovas Jučas. He organised special 'historical’ trips for historians around important places in Lithuanian history. In 1948 and 1949, he was attacked severely by the University Party Committee, and later by leaders of the Lithuanian Communist Party, for ignoring Marxist methodology, and for ‘bourgeois nationalism’. Jonynas admitted to ‘ideological mistakes’, and continued his professional career at the university. 

Sándor Joó (1910-1970) was a Hungarian Calvinist priest. He was born in a well-off family in Kecskemét. His father, Gyula Joó, was a teacher at the Academy of Law in Kecskemét and presbyter in the local Calvinist congregation. Sándor Joó graduated from the Academy of Reformed Theology in Budapest. He continued his studies in Amsterdam in 1932. He then became a Protestant deacon in Kecskemét and in Budapest. He received his qualification to be a private theological teacher in 1939, and he obtained a doctorate at the University of Sciences in Debrecen in 1942. He founded the Calvinist congregation of Pasarét, where he served as pastor from 1938 until his death. He was a member of the Revival Movement of the Hungarian Calvinist Church in 1956, which was against the official church policy, so he was never given any positions of any importance in his church. He was a well-known preacher. He had approximately 1,000 collected sermons.