aktywność religijna alternatywne formy edukacji
alternatywne style życia i bunt codzienności
awangarda, neo-awangarda
cenzura dysydenci partyjni
emigracja/wygnanie
film inwigilacja
krytyka naukowa kultura ludowa
kultura młodzieżowa
kultura popularna kultura undergroundowa
literatura i krytyka literacka muzyka nauka krytyczna
niezależne dziennikarstwo ochrona środowiska
ofiary prześladowań autorytarnego/totalitarnego reżimu
opozycja demokratyczna
publikacje podziemne
ruch kobiecy
ruchy broniące mniejszości
ruchy broniące praw człowieka
ruchy etniczne ruchy filozoficzne/ideowe ruchy narodowościowe
ruchy pokojowe ruchy społeczne
ruchy studenckie sztuka medialna
sztuki piękne
sztuki wizualne
teatr i Sztuki Performatywne
wolność sumienia
artefakty
dokumenty prawne i/lub finansowe elementy sztuki użytkowej
film
fotografie
grafika
inne inne obiekty artystyczne literatura podziemna
meble
nagrania dźwiękowe
nagrania muzyczne
nagrania video
obrazy
odzież pamiątki
publikacje
rysunki i karykatury
rzeźby rękopisy wyposażenie techniczne
The Museum of the History of Riga and Navigation often accepted donations in the 1960s, 1970s and 1980s, or it bought items and collections that could not be displayed in the museum’s permanent display but which had a historical and cultural value and were a testimony to pre-Soviet Latvia.
The collection shows the life, work and activities of the Lithuanian historian Rimantas Jasas (1929-2002). Jasas never called himself a dissident. Even after the collapse of the Soviet Union, he did not speak much about his involvement in underground (samizdat) literature, and saw himself only as a professional historian. The files in the collection show his close ties with the dissident movement, especially with the Soviet dissident and political prisoner Vytautas Skuodis (1929-2016). Jasas was involved with the samizdat journal Perspektyvos (Perspectives), the most highly thought-of publication by members of the intelligentsia.
The Roma Archive is the first digital collection devoted specifically to the Roma community in Bulgaria. Its aim is to show the history and memories of a people which have been invisible to the general Bulgarian public, and who are usually portrayed by the media in terms of deviant social and cultural behavior. The collection was created by the Balkan Society for Autobiography and Social Communication (BSASC). It includes numerous autobiographic interviews, rich visual materials, and a variety of other documents and images containing information on the Roma community in Bulgaria taken from Bulgarian State archives.
One of the main themes of the collection is the fate of the Roma minority under communism, during which it was subjected to frequent assimilation campaigns and when expressions of Roma culture was severely restricted. The collection aims to contribute to the democratization of historical knowledge, raising the profile of Bulgaria’s Roma community as well as increasing awareness within the community of the value of historical documents. At the same time, the ongoing process of building the collection itself contributes to overcoming ethnocentricity in Bulgaria’s education system. It strengthens intercultural dialogue and aids in the educational potential of Roma community members. The Roma Archive help makes the Roma more visible in Bulgarian society, education, and academia.
Rudolf Mihle (1937–2008) was one of the most important Czech amateur filmmakers. Some of his films were critical of the communist regime and society. Therefore, they were censored and could not be publicly screened. Mihle was an active member of the Czech Club of Amateur Filmmakers (Český klub kinoamatérů).
